Produced by Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single important plot development, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
Game is in UK and Irish theaters from 17 November.
